Photography
Before I was a creative director, I spent a decade behind the camera shooting weddings, portraits, and short films full-time—and editing nearly everything I shot.
That background is why I’m comfortable on set today. I know how to talk shop with a DP, read the energy of a room, and direct (and coach) talent in front of a lens. Directors love working with me (and vice versa).
It’s also why I can look at a raw photo or first cut and already see exactly where it should go for the brand—which means I can shape a visual library that feels custom-shot, even when working from existing footage or stock. A few favorites from those years are below.
